Film: “An Eye For Beauty”

This strange, deceptively placid film, from 2014, is hard to describe. A French-Canadian work from renowned writer-director Denys Arcand, its title is incorrectly translated as “An Eye For Beauty”. I think the original title, “Le Regle de la Beauty”, is closer to its theme. It opens with Luc (played by Eric Bruneau), a handsome, middle-aged […]

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Film: “Phantom Thread”

Aside from a very favorable early critical reception, not much is well-known about “Phantom Thread” – which I saw on the last day of 2017 – except that it will be Daniel Day-Lewis’ last film, or so the actor has declared. Actually, it is an achievement in its own right. Writer-director Paul Thomas Anderson has […]

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Film: “Happy End”

Some critics have called “Happy End”, the latest film from Michael Haneke, a “retread”, or something like that. I think, rather, that it shows a major artist losing his passion for filmmaking, as was also evident in his last film, the overrated “L’Amour”, which also starred Jean- Louis Trintignant. The first third of the film, at […]

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Film: “Thelma”

This supernatural shocker from Norway delivers Carrie-like chills, but its half-serious dabbling in the religion-versus-science conflict is ultimately unsatisfying. Best to appreciate a skillfully made, emotionally gripping movie for its entertainment value alone. Director and co-writer (with Eskil Vogt) Joachim Trier goes on my short-list for terror. The pre-credit teaser shows Thelma, age 6, walking […]

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Film: “Three Billboards Outside Ebbing, Missouri”

I don’t think I’m alone in finding it difficult to describe this film, or the experience of watching it. Meandering, half-realized and often unconvincing, it also has a kind of feckless charm that blindsides you. Those familiar with director-writer Martin McDonagh’s previous work would be familiar with the blindside part. In Bruges, for instance, flapped […]

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