“The Card Counter” is Paul Schrader’s follow-up to his superb “First Reformed”, and it continues his thought-provoking and sincere exploration of guilt in contemporary America. As with Ethan Hawke in the previous film, he has found the ideal actor for the lead role in Oscar Isaac. Similarly, the climactic scene is truly shocking, a totally […]
Robert Eggers has carved out a formidable task for himself in his violent epic, “The Northman”. The film reaches back into our love of myth as a key to understanding the origins of culture, and it does this by steeping us into barbaric, pre-literate tribal life in a hardship environment. Naturally, raw masculine power will […]
I was still in grade school when I saw “The Apartment” in Brooklyn’s Loew’s Metropolitan, and I didn’t like it. Or rather, it confused me, and wasn’t funny like Billy Wilder’s “Some Like It Hot” the year before. My recent viewing makes clear the brilliant satire I missed at age 9, and I laughed a […]
This Yorgos Lanthimos film, which he wrote with Ethymis Filippo, was released in 2017, but I only got around to seeing it some weeks ago. The title, “The Killing of a SacredDeer”, is never explained in the film, and only further research revealed that it was a modern retelling of the Iphigenia myth. Although I […]
“The Hand of God” is an Italian foreign Oscar-nominee, written and directed by Paolo Sorrentino. It is an artist’s “coming-of-age” story, strongly influenced by Fellini’s autobiographical films. Actually, Sorrentino is bold about that influence, even opening the film with a panoramic overview of his beloved Naples, which recalled the copter shot of Rome that opened […]
“Kimi”, Stephen Soderbergh’s latest, from a script by David Koepp, packs a lot of story into its hour-and-a-half. Zoe Kravitz is Angela, a work-at-home analyst for a tech company with “Kimi”, a siri-like voice command. Her job is to monitor the recordings for Kimi’s false readings, and adjust the app accordingly. Well, the company gets […]
By now, the critical success of Jane Campion’s “The Power Of The Dog” dominates any discussion of 2021 awards. Before release, the buzz concerned whether Jane Campion would have a comeback, but that seems quaint now. It is clearly a masterpiece. Adapted from a 1967 novel by Charles Savage, it steeps us in the genre […]
“Drive my Car”, directed by Ryusuke Hamaguchi, and co-written with Tukamaso Oe, is an adaptation of a story by Murakami. It won the screenwriting prize at Cannes, 2021, but no prize, interestingly, for acting or direction. We first meet Kafuko, a theater director in his forties, played by Hidetoshi Nishijima, in bed with his wife, […]
Though two and a quarter hours long, “Bacurau” has enough thrills, violence, suspense and rich human spectacle to reward our attention. But, what we take away mostly is a single-minded and original vision of human conflict at the most primal level. Co-written and co-directed by two Brazilian filmmakers, Kleber Mendonca Filho (“Aquarius”, 2016) and Juliano […]
Adam McKay’s “Don’t Look Up” is sometimes kinda fun, sometimes awful, but it leaves you in a good enough frame of mind to accept its somewhat benign and warm view of human nature. And I respect it for making that pov extremely difficult for the audience to accept, especially after what they’ve seen. At the […]
