Film: “Climax”

After five features, it should be evident by now that the controversial French-Argentinian filmmaker, Gaspar Noe, is a rigid formalist. His latest, “Climax”, which was previewed at last year’s Cannes festival, is as formalized and anti-dramatic as any of his previous features. It presents sex and violence as irrevocably combined, resulting in destruction and guilt. […]

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